[Andalusi Studies] Muwashshah in modern music

Dwight Reynolds dreynold at religion.ucsb.edu
Wed May 7 08:21:39 PDT 2014



Yes, David, great question!

In addition to the citations already mentioned, if you mean the  
muwashshah in its present performance traditions, then there is a  
sizeable bibliography dealing with various regional traditions by  
authors including

    Jonathan Shannon (already cited, Syria and Morocco)
    Jonathan Glasser (Oujda, Morocco)
    Carl Davila (Morocco)
    Mark Wagner (Yemen)
    Jean Lambert (Yemen)
    Ruth Davis (Tunisia)
    Philip Ciantar (Libya)
    Edwin Seroussi (Morocco and elsewhere, including Jewish traditions)
    L. Jafran Jones (Tunisia)
    myself and others.

Do have particular aspects/issues you are interested in?

If you mean modern performances of "medieval" muwashshahat, you might  
look at my article

    ?The Re-creation of Medieval Arabo-Andalusian Music in Modern  
Performance.?  Al-Mas?q: Islam and the Medieval Mediterranean Vol. 21,  
No. 2 (August 2009): 175-189.


Best,
Dwight


*******************************************************************************
Dwight F. Reynolds, Professor            Arabic Language & Lit
Department of Religious Studies          Phone: (805) 893-7143
University of California                 Dept:  (805) 893-2993
Santa Barbara, CA 93106                  FAX:   (805) 893-7671
*******************************************************************************


Quoting Alexander e Elinson <aelinson at hunter.cuny.edu>:

> Dear All,
>
> In addition to Jean's suggestions, may I add Jonathan Shannon's  
> "Performing al-Andalus, Remembering al-Andalus: Mediterranean  
> Soundings from Mashriq to Maghrib" Journal of American Folklore 120  
> (477): 308-334. He also discusses the muwashshah in his book, Among  
> the Jasmine Trees: Music and Modernity in Contemporary Syria.  
> Wesleyan UP, 2009. I don't remember if he treats the muwashshah in  
> particular, but you might look at Dwight Reynolds' "Musical  
> 'Membrances of Medieval Muslim Spain" in Charting Memory: Recalling  
> Medieval Spain, edited by Stacy Beckwith. Garland, 2000. pp. 155-68.
>
> There is an active and interesting zajal culture in Morocco, but I  
> do not know about its performance practices. For more on that, see  
> Deborah Kapchan's "Zajal" in Mediterraneans 11 (Winter 1990-2000):  
> 45-47
>
> Great question.
>
> Alex
>
>
> Alexander Elinson
> Associate Professor of Arabic
> Director of Hunter College Summer Arabic
> Department of Classical and Oriental Studies
> Hunter West 1304
> Hunter College of the City University of New York
> 695 Park Avenue
> New York, NY  10065
> (212)772-5044<tel:%28212%29772-5044>
> aelinson at hunter.cuny.edu<mailto:aelinson at hunter.cuny.edu>
> http://hunter.cuny.edu/classics/arabic
> ________________________________
> From: andalusi_studies-bounces at lists.uoregon.edu  
> [andalusi_studies-bounces at lists.uoregon.edu] on behalf of Dangler,  
> C.Jean [jdangler at tulane.edu]
> Sent: Wednesday, May 07, 2014 9:56 AM
> To: David Wacks; andalusi_studies at lists.uoregon.edu
> Subject: Re: [Andalusi Studies] Muwashshah in modern music
>
> Dear David,
>
> I love this question.  Here is a link to an article from the MESA  
> Bulletin on the muwashshahat in modern Syrian performance:
>
> http://www.jstor.org/stable/23063089
>
> Google Scholar brings up a couple of other interesting sources as  
> well, most notably Tova Rosen?s brief discussion in the chapter from  
> The Literature of Al-Andalus, where she mentions the muwashshah as  
> part of the repertoire of the Lebanese singer Fairouz.  Extending  
> the question to the zajal, Alex Elinson gave a paper last fall at  
> the SCMLA in New Orleans on Driss Mesnnaoui, a current Moroccan  
> writer and zajal poet, though I don?t believe he performs with music.
>
> Good luck,
> Jean
>
> Jean Dangler
> Associate Professor of Spanish and Medieval Iberian Studies
> Chair
> Department of Spanish and Portuguese
> 302 Newcomb Hall
> Tulane University
> New Orleans, LA 70118
>
> Tel.: 504-862-3424
> Fax: 504-862-8752
>
> From: andalusi_studies-bounces at lists.uoregon.edu  
> [mailto:andalusi_studies-bounces at lists.uoregon.edu] On Behalf Of  
> David Wacks
> Sent: Wednesday, May 07, 2014 8:31 AM
> To: andalusi_studies at lists.uoregon.edu
> Subject: [Andalusi Studies] Muwashshah in modern music
>
> Dear Andalusiyyin,
> Can anyone refer to to scholarship dealing with the muwashshah as a  
> modern performance genre? Thanks very much.
>
> Best regards,
> David
>
> David Wacks
> Lead Faculty AHA Oviedo Summer Advanced Literature and  
> Culture<http://www.ahastudyabroad.org/europe-southern/oviedo-spain/programs/advanced-spanish-literature-and-culture.html>
> Associate Professor of Spanish
> UO Dept of Romance Languages
> email<mailto:wacks at uoregon.edu> /  
> agenda<http://davidwacks.uoregon.edu/agenda> /  
> blog<http://davidwacks.uoregon.edu/> /  
> cv<http://davidwacks.uoregon.edu/cv/> /  
> twitter<https://twitter.com/davidwacks>
> 541-346-4029
> Office hours by appointment online<http://bit.ly/1len2hh>
>





More information about the Andalusi_Studies mailing list