<html><body><div style="color:#000; background-color:#fff; font-family:HelveticaNeue, Helvetica Neue, Helvetica, Arial, Lucida Grande, sans-serif;font-size:12pt"><div style="" class="">Hi: good question Bravo<br style="" class=""><!--[if gte mso 9]><xml>
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<div style="" class=""><span class="" style="mso-ansi-language:EN-US" lang="EN-US"> I see
that Muwasha is always present in Algerian modern music with nostalgia and in academic
reaches like this:</span></div>
<br style="" class=""> http://www.univ-tlemcen.dz/these/bouzidi.pdf<br>Good Luck<br style="" class=""></div><div style="" class=""><font class="" style="font-family:times new roman, new york, times, serif" size="3"><span style="" class="">Amina.B</span></font></div><div style="" class=""></div><div style="display: block;" class="yahoo_quoted"> <div class="" style="font-family: HelveticaNeue, Helvetica Neue, Helvetica, Arial, Lucida Grande, sans-serif; font-size: 12pt"> <div class="" style="font-family: HelveticaNeue, Helvetica Neue, Helvetica, Arial, Lucida Grande, sans-serif; font-size: 12pt"> <div style="" class="" dir="ltr"> <font style="" class="" size="2" face="Arial"> Le Mercredi 7 mai 2014 17h21, Dwight Reynolds <dreynold@religion.ucsb.edu> a écrit :<br style="" class=""> </font> </div> <div style="" class=""><br style="" class="" clear="none"><br style="" class="" clear="none">Yes, David, great question!<br style="" class=""
clear="none"><br style="" class="" clear="none">In addition to the citations already mentioned, if you mean the <br style="" class="" clear="none">muwashshah in its present performance traditions, then there is a <br style="" class="" clear="none">sizeable bibliography dealing with various regional traditions by <br style="" class="" clear="none">authors including<br style="" class="" clear="none"><br style="" class="" clear="none"> Jonathan Shannon (already cited, Syria and Morocco)<br style="" class="" clear="none"> Jonathan Glasser (Oujda, Morocco)<br style="" class="" clear="none"> Carl Davila (Morocco)<br style="" class="" clear="none"> Mark Wagner (Yemen)<br style="" class="" clear="none"> Jean Lambert (Yemen)<br style="" class="" clear="none"> Ruth Davis (Tunisia)<br style="" class="" clear="none"> Philip Ciantar (Libya)<br style=""
class="" clear="none"> Edwin Seroussi (Morocco and elsewhere, including Jewish traditions)<br style="" class="" clear="none"> L. Jafran Jones (Tunisia)<br style="" class="" clear="none"> myself and others.<br style="" class="" clear="none"><br style="" class="" clear="none">Do have particular aspects/issues you are interested in?<br style="" class="" clear="none"><br style="" class="" clear="none">If you mean modern performances of "medieval" muwashshahat, you might <br style="" class="" clear="none">look at my article<br style="" class="" clear="none"><br style="" class="" clear="none"> ?The Re-creation of Medieval Arabo-Andalusian Music in Modern <br style="" class="" clear="none">Performance.? Al-Mas?q: Islam and the Medieval Mediterranean Vol. 21, <br style="" class="" clear="none">No. 2 (August 2009): 175-189.<br style="" class="" clear="none"><br style="" class=""
clear="none"><br style="" class="" clear="none">Best,<br style="" class="" clear="none">Dwight<br style="" class="" clear="none"><br style="" class="" clear="none"><br style="" class="" clear="none">*******************************************************************************<br style="" class="" clear="none">Dwight F. Reynolds, Professor Arabic Language & Lit<br style="" class="" clear="none">Department of Religious Studies Phone: (805) 893-7143<br style="" class="" clear="none">University of California Dept: (805) 893-2993<br style="" class="" clear="none">Santa Barbara, CA 93106 FAX: (805) 893-7671<br style="" class="" clear="none">*******************************************************************************<br style="" class=""
clear="none"><br style="" class="" clear="none"><br style="" class="" clear="none">Quoting Alexander e Elinson <<a style="" class="" shape="rect" ymailto="mailto:aelinson@hunter.cuny.edu" href="mailto:aelinson@hunter.cuny.edu">aelinson@hunter.cuny.edu</a>>:<br style="" class="" clear="none"><br style="" class="" clear="none">> Dear All,<br style="" class="" clear="none">><br style="" class="" clear="none">> In addition to Jean's suggestions, may I add Jonathan Shannon's <br style="" class="" clear="none">> "Performing al-Andalus, Remembering al-Andalus: Mediterranean <br style="" class="" clear="none">> Soundings from Mashriq to Maghrib" Journal of American Folklore 120 <br style="" class="" clear="none">> (477): 308-334. He also discusses the muwashshah in his book, Among <br style="" class="" clear="none">> the Jasmine Trees: Music and Modernity in Contemporary Syria. <br style="" class=""
clear="none">> Wesleyan UP, 2009. I don't remember if he treats the muwashshah in <br style="" class="" clear="none">> particular, but you might look at Dwight Reynolds' "Musical <br style="" class="" clear="none">> 'Membrances of Medieval Muslim Spain" in Charting Memory: Recalling <br style="" class="" clear="none">> Medieval Spain, edited by Stacy Beckwith. Garland, 2000. pp. 155-68.<br style="" class="" clear="none">><br style="" class="" clear="none">> There is an active and interesting zajal culture in Morocco, but I <br style="" class="" clear="none">> do not know about its performance practices. For more on that, see <br style="" class="" clear="none">> Deborah Kapchan's "Zajal" in Mediterraneans 11 (Winter 1990-2000): <br style="" class="" clear="none">> 45-47<br style="" class="" clear="none">><br style="" class="" clear="none">> Great question.<br style="" class=""
clear="none">><br style="" class="" clear="none">> Alex<br style="" class="" clear="none">><br style="" class="" clear="none">><br style="" class="" clear="none">> Alexander Elinson<br style="" class="" clear="none">> Associate Professor of Arabic<br style="" class="" clear="none">> Director of Hunter College Summer Arabic<br style="" class="" clear="none">> Department of Classical and Oriental Studies<br style="" class="" clear="none">> Hunter West 1304<br style="" class="" clear="none">> Hunter College of the City University of New York<br style="" class="" clear="none">> 695 Park Avenue<br style="" class="" clear="none">> New York, NY 10065<br style="" class="" clear="none">> (212)772-5044<tel:%28212%29772-5044><br style="" class="" clear="none">> <a style="" class="" shape="rect" ymailto="mailto:aelinson@hunter.cuny.edu"
href="mailto:aelinson@hunter.cuny.edu">aelinson@hunter.cuny.edu</a><mailto:<a style="" class="" shape="rect" ymailto="mailto:aelinson@hunter.cuny.edu" href="mailto:aelinson@hunter.cuny.edu">aelinson@hunter.cuny.edu</a>><br style="" class="" clear="none">> <a style="" class="" shape="rect" href="http://hunter.cuny.edu/classics/arabic" target="_blank">http://hunter.cuny.edu/classics/arabic</a><br style="" class="" clear="none">> ________________________________<br style="" class="" clear="none">> From: <a style="" class="" shape="rect" ymailto="mailto:andalusi_studies-bounces@lists.uoregon.edu" href="mailto:andalusi_studies-bounces@lists.uoregon.edu">andalusi_studies-bounces@lists.uoregon.edu</a> <br style="" class="" clear="none">> [<a style="" class="" shape="rect" ymailto="mailto:andalusi_studies-bounces@lists.uoregon.edu" href="mailto:andalusi_studies-bounces@lists.uoregon.edu">andalusi_studies-bounces@lists.uoregon.edu</a>] on
behalf of Dangler, <br style="" class="" clear="none">> C.Jean [<a style="" class="" shape="rect" ymailto="mailto:jdangler@tulane.edu" href="mailto:jdangler@tulane.edu">jdangler@tulane.edu</a>]<br style="" class="" clear="none">> Sent: Wednesday, May 07, 2014 9:56 AM<br style="" class="" clear="none">> To: David Wacks; <a style="" class="" shape="rect" ymailto="mailto:andalusi_studies@lists.uoregon.edu" href="mailto:andalusi_studies@lists.uoregon.edu">andalusi_studies@lists.uoregon.edu</a><br style="" class="" clear="none">> Subject: Re: [Andalusi Studies] Muwashshah in modern music<br style="" class="" clear="none">><br style="" class="" clear="none">> Dear David,<br style="" class="" clear="none">><br style="" class="" clear="none">> I love this question. Here is a link to an article from the MESA <br style="" class="" clear="none">> Bulletin on the muwashshahat in modern Syrian performance:<br style=""
class="" clear="none">><br style="" class="" clear="none">> <a style="" class="" shape="rect" href="http://www.jstor.org/stable/23063089" target="_blank">http://www.jstor.org/stable/23063089</a><br style="" class="" clear="none">><br style="" class="" clear="none">> Google Scholar brings up a couple of other interesting sources as <br style="" class="" clear="none">> well, most notably Tova Rosen?s brief discussion in the chapter from <br style="" class="" clear="none">> The Literature of Al-Andalus, where she mentions the muwashshah as <br style="" class="" clear="none">> part of the repertoire of the Lebanese singer Fairouz. Extending <br style="" class="" clear="none">> the question to the zajal, Alex Elinson gave a paper last fall at <br style="" class="" clear="none">> the SCMLA in New Orleans on Driss Mesnnaoui, a current Moroccan <br style="" class="" clear="none">> writer
and zajal poet, though I don?t believe he performs with music.<br style="" class="" clear="none">><br style="" class="" clear="none">> Good luck,<br style="" class="" clear="none">> Jean<br style="" class="" clear="none">><br style="" class="" clear="none">> Jean Dangler<br style="" class="" clear="none">> Associate Professor of Spanish and Medieval Iberian Studies<br style="" class="" clear="none">> Chair<br style="" class="" clear="none">> Department of Spanish and Portuguese<br style="" class="" clear="none">> 302 Newcomb Hall<br style="" class="" clear="none">> Tulane University<br style="" class="" clear="none">> New Orleans, LA 70118<br style="" class="" clear="none">><br style="" class="" clear="none">> Tel.: 504-862-3424<br style="" class="" clear="none">> Fax: 504-862-8752<br style="" class="" clear="none">><br style="" class="" clear="none">> From: <a style="" class="" shape="rect"
ymailto="mailto:andalusi_studies-bounces@lists.uoregon.edu" href="mailto:andalusi_studies-bounces@lists.uoregon.edu">andalusi_studies-bounces@lists.uoregon.edu</a> <br style="" class="" clear="none">> [mailto:<a style="" class="" shape="rect" ymailto="mailto:andalusi_studies-bounces@lists.uoregon.edu" href="mailto:andalusi_studies-bounces@lists.uoregon.edu">andalusi_studies-bounces@lists.uoregon.edu</a>] On Behalf Of <br style="" class="" clear="none">> David Wacks<br style="" class="" clear="none">> Sent: Wednesday, May 07, 2014 8:31 AM<br style="" class="" clear="none">> To: <a style="" class="" shape="rect" ymailto="mailto:andalusi_studies@lists.uoregon.edu" href="mailto:andalusi_studies@lists.uoregon.edu">andalusi_studies@lists.uoregon.edu</a><br style="" class="" clear="none">> Subject: [Andalusi Studies] Muwashshah in modern music<br style="" class="" clear="none">><br style="" class="" clear="none">> Dear
Andalusiyyin,<br style="" class="" clear="none">> Can anyone refer to to scholarship dealing with the muwashshah as a <br style="" class="" clear="none">> modern performance genre? Thanks very much.<br style="" class="" clear="none">><br style="" class="" clear="none">> Best regards,<br style="" class="" clear="none">> David<br style="" class="" clear="none">><br style="" class="" clear="none">> David Wacks<br style="" class="" clear="none">> Lead Faculty AHA Oviedo Summer Advanced Literature and <br style="" class="" clear="none">> Culture<<a style="" class="" shape="rect" href="http://www.ahastudyabroad.org/europe-southern/oviedo-spain/programs/advanced-spanish-literature-and-culture.html" target="_blank">http://www.ahastudyabroad.org/europe-southern/oviedo-spain/programs/advanced-spanish-literature-and-culture.html</a>><br style="" class="" clear="none">> Associate Professor of Spanish<br style=""
class="" clear="none">> UO Dept of Romance Languages<br style="" class="" clear="none">> email<mailto:<a style="" class="" shape="rect" ymailto="mailto:wacks@uoregon.edu" href="mailto:wacks@uoregon.edu">wacks@uoregon.edu</a>> / <br style="" class="" clear="none">> agenda<<a style="" class="" shape="rect" href="http://davidwacks.uoregon.edu/agenda" target="_blank">http://davidwacks.uoregon.edu/agenda</a>> / <br style="" class="" clear="none">> blog<<a style="" class="" shape="rect" href="http://davidwacks.uoregon.edu/" target="_blank">http://davidwacks.uoregon.edu/</a>> / <br style="" class="" clear="none">> cv<<a style="" class="" shape="rect" href="http://davidwacks.uoregon.edu/cv/" target="_blank">http://davidwacks.uoregon.edu/cv/</a>> / <br style="" class="" clear="none">> twitter<<a style="" class="" shape="rect" href="https://twitter.com/davidwacks"
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